Have you ever found yourself going somewhere
in your mind that is completely familiar, vividly detailed, and filled with
memories only to realize that the place is not one you have actually ever
visited? I quite often do, many times to
the lab in the basement of the English home in Daphne du Maurier’s The House on the Strand. It wasn’t a very exciting place in the book,
and in my mind it is dusty, with old fashioned chemistry equipment, little
light, and whatever molders in old English houses.
It is obvious that I was never actually there
but for some reason, a combination of the story, the character, and emotion,
the place is as real to me as some I visited long ago. It is not a form of déjà vu, at least I don’t
think so, but the feeling of having been in that place is as close to real as
it can be.
As vivid is the church rising out of nothing
in Ken Follet’s Pillars of the Earth series. Before I saw the video of it, I had the place
firmly in my mind. The same was true with Manderly, in du Maurier’s Rebecca. I could see it ablaze as
vividly as if I were standing beside it, listening to the roar of the fire and
smelling the smoke. But, I can also see
it intact, with the unnamed character, the poor suffering second wife, trying
to keep her head high in the face of what she perceived as inferiority on her
part. It is so dark, with overstuffed
sofas and antiques and that horrible housekeeper, Mrs. Danvers, undermining her
every move.
It was sunnier on the porch where the main
character in Lad: A Dog by Alfred
Payson Terhune liked to lay his head.
This ability to turn fictional locations into reality has been with me at
least as long as I was a child, reading that book, crying my eyes out when I
read the ending. The island where Walter
Farley’s The Island Stallion lived is
also as vibrant, especially the entrance to it.
Pride
and Prejudice, Wuthering Heights, Jane Eyre, Great Expectations, Sherlock Holmes
stories, all stick in my mind, not as vividly, of course, as my special
favorites, but easily recalled. The halls and rooms in Harry Potter books were
all fully visualized way before the movies were ever made. I can see and feel the Sorting Hat. It was the same for me with The Hobbit books,
but also for the houses in The Help, Gone
with the Wind, and The Red Tent. The Outlander books and The Girl with the Dragon Tattoo are now vivid memories of places I
have visited, as is the Moon, in The Moon
is a Harsh Mistress.
Authors create new worlds for us and allow us
to travel there. But in many ways it is
our own imaginations that furnish the details and let them imprint themselves
on our brains. When we get “lost in a
book” we can find our own way out, or we can let a piece of ourselves live
there forever. Then we can visit anytime.
It lets us keep enjoying the feeling we had at the time we read the
books.
The room in The Mirror Crack’d haunted me for years. My second book, Vengeance Tastes Sweet, is in a way an homage to Agatha Christie. So many books over the years have had such an
impact on my mind that I feel as if I’ve gone into them myself.
Maybe, instead of saying “I read that,” I
should be saying “I’ve been there.”
Lovely! And as I read your descriptions of visiting those places through reading, I could see Manderly too! Arm chair traveling.
ReplyDeleteIt is amazing how a sense of place seems so real that we feel we've been there. I think all writers strive for that and, as readers, when we experience it, we're delighted.
ReplyDelete