by Fran McNabb
Recently
on our Classic and Cozy blog, several of our authors wrote about using accurate
details when creating setting in a piece of fiction. Those posts got me thinking
and I’d like to add to them.
Setting
puts readers into time and into the place of a story. Historical writers
usually have a good grasp of setting. It’s easy to feel where the writer of
historical fiction wants the reader to be because she or he understands that
point must be made early in the story. Unfortunately contemporary writers
sometimes neglect to place their characters in a specific place other than
simply naming a town. If a reader can plop the character down in any town in
the United States or in any other county, the writer has missed her mark to make
setting as strong of an element as character and plot.
Even
if the writer has accurately placed the character in a specific setting and
built that world correctly, has she captured the feel of the place? I’m
speaking from experience here. I recently submitted a manuscript to an editor
whom I personally know and who works with one of the top ten publishing groups.
I had my story set in Key West, a place I love and have visited several times.
She rejected the manuscript because she wanted a series and she said she didn’t
think I had captured the feel of the Keys and what I had written would not
sustain the area's thread throughout three novels. Needless to say, I was baffled
because I thought I had done a good job with the setting. Obviously, I had not.
When
the manager of a very nice welcome center on my Gulf Coast suggested I have a
book launch at the center for my next book release, I thanked her and hoped I’d
actually have another book release. With that piece of information in mind, I
started thinking about my rejected story and realized I might not know all the
nuances of Key West, but I certainly understood the region where I called home.
I took the same story and rewrote it with a Gulf Coast setting, outlined three
books that could come from the idea, and found a small press to publish the series.
My
point here concerns setting. Just finding a place on the map to put characters
in won’t work unless the writer understands the place. Sure it can be done
without actually living there, but when an author feels the setting, he or she has a better chance of helping the reader feel the area as well.
What’s
it like to walk down the sidewalk of a town? Are sidewalks actually there? Do
neighbors know each other? Do they sit on their porches and talk to each other? Do neighborhood children play in the streets? Do
taxi cabs and other ride sharing vehicles get people around or do citizens rely
on their own transportation?
Even
though I know the area where my new book is set, I still did not use the actual
name of the town. Instead I named the community Marsh Isles. Readers along the Gulf
Coast should recognize the town where I placed my characters though I gave it a
different name. By not using real names of cities or streets I can change the
physical setting to fit my story while still keeping the feel of the town—I
hope. It doesn't always happen though. The
name of this book is PARADISE LANE,
and at one of my talks a lady
raised her hand and said she wanted a copy of the book because she lived on
Paradise Lane in the same area where I set the book. I was floored. I thought
there wasn’t a street by that name there, but who knew there would be one in
one of the newer subdivisions?
I’m
pleased that I changed the setting to the Gulf Coast, and so far I’ve had good
feedback from my readers. I can’t wait to see what other locals think about the
book. Fingers crossed.
Where are your books set? Do your readers feel the area? It doesn't matter if it's real or simply based on a place you know, think about the little things that make it special and make your readers know where they are.
FRAN
MCNABB lives along the Gulf Coast and uses this setting in most of her novels.
PARADISE LANE is her newest book in the three-book GULF COAST SERIES. Check her out at www.FranMcNabb.com.
