Displacement Activity is Good for Writers

On my writer’s blog (EverWriting) I have a category that I have designated as the default: Displacement Activity, a state in which many of us find ourselves when the words refuse to flow or when we are reluctant to let them flow as they will.

I have three novels in the “works in progress” stage. In one case, the manuscript is in typescript. The others are locked in notebooks. All are fully plotted but moving on from plot to complete is proving to be beyond my motivation level at the moment, so I’m engaging in Displacement Activity.

Where I have lacked motivation to write, I have been doing one of the next best things.

This activity is particularly good as an analogy for writing. Here is a ‘plot’ for a planned quilt project. The color scheme is like characterization: we have to have some level of contrast, but at the same time, the colors and fabric patterns must be compatible. Too much contrast leads to clash and discordance. No amount of shifting of sections will make those colors work together.

On the other hand, too little contrast will result in bland, uninteresting projects, not only for the quilter but the ultimate recipient as well. 

There are exceptions when the intricacy or the uniqueness of the finished product is the focal point. As in writing, while the whole is critical, the details matter.

Yet, the details often become the narrow focus when moving from plan/plot to process and completion. Planning a project is often the fountain of creativity, the exciting bit for the quilter, and for the writer. Working through the initial impulses to put the project on paper, create the design, the characters, visualizing the story as it unfolds and as the project takes shape. 

Sometimes, that stage is the end. The story refuses to move forward; the characters refuse to conform to the needs of the story. What can we do to with all those words and all that effort? When the characters have no conflicting needs, or create no tension because they are utterly sympathetic to one another?

What can we do with the designs that simply won't work, that are too small for the purpose, the amount of fabric you have is inadequate, the print is no longer available in the shop? 

Nothing is better for a creative person than the challenge of solving a problem and achieving a beautiful result, however it comes about and whatever level of commitment it requires. As unwelcome as failure is, the amount of experience we gain makes the effort worth more. As Walt Disney enjoined, "Time to stop talking and start doing."

Beautiful Things from Scraps

Log Cabin Variation Baby's Quilt

Writing is one of those creative endeavors that requires material from many different sources. We don’t just sit down and write with no experience from which we draw our stories. From people watching to research, we build information we have gathered into a whole story.

When I’m at a loss and my creative muses have bowed out for whatever reason, I’m inclined to turn to other creative efforts. Gardening is top of my list when the weather is warm, sunny and dry. Since I no longer have a garden, I dig around in pots and tubs on my balcony. This past weekend, that is how I spent the better part of Saturday morning, instead of working on my novel in progress, This Can't Be Love.

Welsh Pennsylvania Square from Scraps 

While potting around, I had time to think and breathe in the good earthy smells and let my thoughts wander freely. In the process, an idea bloomed for my monthly contribution to Classic and Cozy. I admire my fellow bloggers here who contribute and always come up with something worth reading and drawing others attention to.

I sometimes think of gardening and other forms of distraction as part of my attention deficit or displacement activities. Yet, they have a creative purpose all their own. When the mood strikes me or I have a good reason, one of my favorite activities is making quilts. This was a favorite pastime of my mother as well. In fact, sewing of any kind is a passion we both shared.

Attic Window from Found Fabric

I wasn’t always interested in quilts. My first love was dressmaking, but I went to an exhibition of Welsh quilts in Llanidloes, about ten years ago, put together by Jen Jones, another American living in Wales. A few years before, I had been to the American quilt exhibit at the American Museum in Bath, England.

Having a close friend, Sue Mordan, who is a talented quilt-maker, also encouraged my interest and I began with small projects such as wall hangings, pillow covers and table runners. I was also intrigued by the influence of Welsh quilting tradition on the Amish in Pennsylvania. Though the Amish quilts have gained international acclaim, their simple solid color quilt designs are based on traditional Welsh, multi-colored design patterns, as the book Making Welsh Quilts, explains.

Every quilt requires imagination, planning, design, choices. The process frees my head for other things. A form of daydreaming, the same sort of freedom that allows all thinkers to come up with theories and stories that may change the world.  For me, it seems a good exercise to prepare for writing a novel.

Making Design Decisions

© 2014 Leigh Verrill-Rhys

All photographs (except Making Welsh Quilts bookcover) © 2014 Leigh Verrill-Rhys