by Sandy Cody
Writers (at least this writer) are always looking for inspiration. I don’t mean ideas. Most of us have more ideas than we know what to do with. Maybe I should stop saying “we” and say “I” because that’s who I’m really talking about. What I look for most is a way to tell the story that will make the vision in my head come alive in a reader’s mind and (I type this hopefully) in their heart. Sometimes I look so hard that I forget that the best ideas usually come from close to home. They’re all around me in my daily life - in the things I do and see and hear - and, most importantly, in the things I remember.
Writers (at least this writer) are always looking for inspiration. I don’t mean ideas. Most of us have more ideas than we know what to do with. Maybe I should stop saying “we” and say “I” because that’s who I’m really talking about. What I look for most is a way to tell the story that will make the vision in my head come alive in a reader’s mind and (I type this hopefully) in their heart. Sometimes I look so hard that I forget that the best ideas usually come from close to home. They’re all around me in my daily life - in the things I do and see and hear - and, most importantly, in the things I remember.
I'd like to introduce you to the source of my best memories - and definitely my best source of inspiration. Meet the McGee girls, five sisters who grew up on a farm
in Missouri
during the Dust Bowl years. The one on the left is my mother, the other four my
aunts (obviously).
When I was a little girl, I loved to sit so still that I
felt invisible and listen to my mother and my aunts talk about their lives, the
people they’d known and the things they’d seen. You know the book that claims
“everything I really need to know I learned in kindergarten”? I think
everything I really need to know about writing, I learned from those family
stories.
I wasn’t very old when I noticed that, even though they
were all talking about the same event or the same person, certain details
changed and, with different details, it was a different story. Without
realizing it, I had just learned a valuable lesson about writing: the devil is in the details.
A cliché? Yes, but true. Isn’t that why cliches become cliches?
There was a mysterious neighbor whose land touched my
grandparents’ back pasture. He lived alone in a big house that my cousins and I
were convinced was haunted (a conviction the sisters did nothing to
discourage). Every sister had a different story to tell about him. Depending on
the narrator, he was:
bad to the bone,
painfully shy,
proud and arrogant,
misunderstood and lonely
or (in the language of an
era before political correctness)
a nutcase.
I wondered how the sisters could have such diverse
perceptions of this man. Five girls had grown up in the same house, with the
same parents, had been taught the same values, had known the same person and,
yet, each seemed to describe someone totally unique. Another lesson for a
writer-to-be: the
power of point of view.
It even occurred to me that there might be five brothers
with identical faces and different personalities. How else could five sisters
have such varied accounts of the same person? I longed to know this man, to see
which sister had it right.
Eventually, I understood that they were all right. Each had seen a different side of the same complex person and each had filtered what they had seen through their own set of complexities. So I learned the most important lesson of all – that every human being is a puzzle and the writer’s challenge is to keep adding pieces until all the baffling inconsistencies merge into a recognizable whole. Do that, and you’ll have a character who lives beyond your pages and a story worth listening to.
Eventually, I understood that they were all right. Each had seen a different side of the same complex person and each had filtered what they had seen through their own set of complexities. So I learned the most important lesson of all – that every human being is a puzzle and the writer’s challenge is to keep adding pieces until all the baffling inconsistencies merge into a recognizable whole. Do that, and you’ll have a character who lives beyond your pages and a story worth listening to.
How about you? What’s your best source of inspiration?
