How to Host a Writing Fiesta

by Victoria M. Johnson

If you love to write and you love celebrating writing, then why not have a writing fiesta?  Just as the name implies, the day involves a lot of writing and a lot of partying (at the end of the day).  This fun day can help you get past a slump, or force you to return to a project you've been avoiding, or just inspire you to sprint to the end of a manuscript. 

All you need is a distraction-free writing space and five ingredients:

1. Writing Friends

We all have dozens of writing friends don't we?  And we all say we're going to get together some day to write.  And we all never invite each other over to write.  Send the email, or make the call.  They need only three things:

a. Bring a project they're seriously willing to work on.

b. Bring a healthy snack, lunch munchies, or beverage to share.

c. Bring their writing journals and pens or their laptops.

2. A Schedule

Schedule quiet writing periods of at least an hour to 75 minutes, followed by 15-minute breaks for time to stretch, get fresh air, and have a snack.  The quiet time means everyone works on his or her own.  After each break repeat quiet writing.

3. Comfortable Places to Sit

Everyone came to write.  The more conducive the space and seating is for concentration, the higher the creativity and productivity.

photo by Andrew Neel

4. Comfortable Environment to Share

Allow time toward the end of the fiesta for each person to read some of their work they created that day.  Of course constructive feedback is all that's needed at this point since everyone is reading unedited, fresh material.

5. Fiesta Time

After a day of writing and sharing it's time to celebrate not only your written words, but also friendships with fellow writers, and your gifts of imagination and fearless writing.  It's time to bust out the Sangria or whatever your beverage of choice is to enjoy with kindred spirits.

And maybe one of your guests will volunteer to host the next writing fiesta.  Make them an annual or semi annual gathering.  Who says writing has to be solitary all the time?

Victoria M. Johnson knew by the time she was ten that she wanted to be a writer.  She loves telling stories and she's happiest when creating new characters and new plots.  Avalon Books and Montlake Romance published Victoria's fiction debut, The Doctor’s Dilemma.  Her other fiction book is a collection of romance short stories titled, The Substitute Bride and a novella, Hot Hawaiian Christmas. She is also the writer and director of four short films and two micro documentaries.   Visit Victoria's website at http://VictoriaMJohnson.com for inspiration and tips and find her Amazon author page or connect with her on Pinterest and Twitter.

 

Sustaining Your Creative Writing Practice

by Victoria M. Johnson

 I know many writer friends who feel overwhelmed with their families, their jobs, and the world, and they've stopped writing.  It's not that any one of them intended to stop writing.  But once stopped it's proven difficult to find the time--or the way--to relight the flame.

 I teach a class about sustaining the creative writing habit and we talk about what makes a habit and how to grow your actions into a habit in the first place.  For writers this means writing as well as creating a routine for writing.  Among other things, you stick to this routine as much as possible to develop it into a practice. 

 Naturally there are times when you can't physically or emotionally write.  Life happens.  Life often delivers unexpected hardships and emotionally draining challenges.  When you've been dealt a jarring setback allow yourself a guilt-free break in those circumstances.  Nourish your spirit.  Gather your strength.  Take care of yourself first.  Then get back to your writing practice.

 A good way to start is by feeding your creative soul.  For me that's a visit with nature.  The sound of waves crashing while strolling along the beach, hiking on a trail, or simply walking to a neighborhood park helps restore my sense of being.  The fresh air and movement does wonders for the spirit.  After a few minutes in the outdoors I can't help but unwind, and my writer's brain can't help but make mental notes for a poem or other piece.

Photo by Alessio Lin

 My next favorite way to start feeling like myself again is exercise.  I love Zumba.  It's vigorous, challenging, and enjoyable.  Others might prefer a jog, a swim, or a punching bag.  Do whatever it takes for you to get some of that energy out and allow yourself to feel in control again. Experts say aromatherapy or massage have healing powers.  I agree on both counts.

 In time you'll be ready for the feeding of your imagination with things that stimulate you--be that music, artworks, or reading favorite works of others.  Feed it nourishing things.  And eventually you will pick up the pen.  Just write.  Forget high standards.  Forget the rules of writing.  Forget what you should be writing.  Just write what you want to write about.  Just say what you have to say.  Just write for a few minutes.  No pressure.  And you keep doing this until you get your mojo back.

 You're in this life for the long haul and it's natural to have periods when you need to step away from your writing.  It's okay.  A key to sustainability is taking that break... and coming back. 

Some authors can write through difficulties, others need to recover from them before putting words on paper.  Both are correct.  The important thing is resuming your practice and writing like crazy... when you're ready.  Do you have any tips for sustaining your writing practice?  Let us know in the comments below.

Victoria M. Johnson knew by the time she was ten that she wanted to be a writer.  She loves telling stories and she's happiest when creating new characters and new plots.  Avalon Books and Montlake Romance published Victoria's fiction debut, The Doctor’s Dilemma.  Her other fiction book is a collection of romance short stories titled, The Substitute Bride and a novella, Hot Hawaiian Christmas. She is also the writer and director of four short films and two micro documentaries.   Visit Victoria's website at http://VictoriaMJohnson.com for inspiration and tips and find her Amazon author page or connect with her on Pinterest and Twitter.

 

Suppose You Write a Book...

...And what?

Why do we tell stories? For me, this activity became a lifelong occupation from the age of three. One night, I woke from a nightmare that, to this day, fills me with dread and a feeling of sick emptiness. I crawled into my parents' bed for safety. I had no words for the terrible dream or the terror I felt. 

Instead, I told a story to my wakeful father about the house I wanted to live in when I grew up. My father was a carpenter, so it was possible to believe he would build the house for me. Concentrating on a future possibility took me away from a present danger.  

From that night on, I found great comfort in using my imagination to tell stories about an alternative reality. I spent long hours alone, content to fill my thoughts with the people and events I created, and 'rewriting' the endings of movies I had seen. During my teenage years, I added drawing to my work box of tools but the stories still took place in my head. 

Not long after this, my first year in high school, I moved to another state. I made two friends in my new high school, both of whom had a similar story-telling penchant. We told each other stories, interactive between the three of us, exchanging ideas and characters, building worlds around make-believe situations. In my second year in high school, back in California, I continued this collaborative effort with other friends and again during my early college years. 

In college, my first choice of a major was art but, finally, writing emerged as my true avocation. Once the decision was made, I entered a phase of my education that was so incredibly rich and textured, I have continued learning ever since. Fortunately, writing is an art form that demands constant discovery. 

But why do I write? One answer is clear: not for the money!  

Our ancestors told stories to explain the mysteries of the

environment, for comfort, for entertainment during the long dark, winter nights. Our own reasons for story-telling are similar. In antiquity, knowledge of the forces of the universe were explained by the imagined existence of magic and the supernatural. How is that different from our own society's love affair with Dracula, Terminators, Angels and the Once Upon a Times of 21st Century entertainment? 

What was formalized by Aristotle and Euripides is our premier source of coming to terms with a universe we understand only marginally better than our cave-dwelling progenitors. The depth and breadth of human imagination, and the drive to express it, cannot be contained, no matter how frequently a story is told. Every one of us has our own, individual interpretation of events. If our telling strikes a chord with others, we have succeeded in expressing a basic human truth and kept the terrors of dreams at bay.

Let Me Dream

by Janis Susan May/Janis Patterson

It is both an honor and a privilege to be one of the lead bloggers on this brave new experiment called Classic and Cozy. And part of my delight is purely selfish. For years I have preferred to read traditionally – love stories without explicit or highly descriptive sex. For the same reason I love cozy mysteries – no hard-boiled police procedurals, no graphic descriptions of blood, gore or other assorted horrors, just brain-teasing puzzles of ordinary people dealing with extraordinary events. I had begun to worry that I was alone in my likes and prejudices, that the reading world had abandoned me just because I like my books to focus on the story’s action rather than sometimes far-too-graphic details.

None of that means, however, as some people seem to think, such books are bland or boring. I personally think it takes a great deal of skill for a writer to convey an idea or emotion without necessarily resorting to such erotic or gory lengths.

Now I am a grown-up, most of the time at least, and I know that falling  in love  will sooner or later involve sex,  and that murder in itself is a ghastly and usually messy crime. I don’t  have to be shown every splash and touch to get the idea. In fact, the visuals in my head -  for me, at least – may be more moving than the author intended. Murder is an inherently terrible thing; we don’t have to be shown every blow and blood spatter to know that. Sex is intensely romantic and personal, and what is inside my mind is so much more intense for me than any author could ever write.

I guess I just just don’t believe in showing the monster. As I’ve blogged and spoken about in several places, I once worked on a  rather cheesy horror movie. When the crew was putting a rather ghastly rubber monster suit  on a poor actor, an old gaffer snorted and said they were making a bad mistake. When I asked why, he responded that everyone was frightened by something different. To show this rubber-suited actor would  take their worst fears away. The best way to scare the most  people, he said wisely, was to suggest the monster, to show what it could do, and let the viewer fill in the blanks with what was most frightening to them. Instead of the film trying to scare the viewer, create an atmosphere where the viewer could scare himself.

It’s the same for books. Obviously we don’t have monsters in cozies or romance, but the idea is the same. We read books for many reasons – for escape, for pleasure, for learning, for just about anything.  Why should our reactions be shaped and confined  by the author’s vision  of what is scary or sexy? I know that no romance I’ve ever read, erotic or not, has ever come close to my imagination… or my memories.

As a reader I say, lead me, don’t force me. Let my mind be free to imagine my own perception of your path. Let me personalize the story in my head. Let me become a partner, an active participant in my mind. Let me dream.

Janis Susan May/Janis Patterson is a 7th-generation Texan and a 3rd-generation wordsmith who writes mystery, romance, horror, children’s and scholarly. Once an actress and a singer Janis has also been editor-in-chief of two multi-magazine publishing groups as well as many other things, including an enthusiastic amateur Egyptologist. Janis’ husband even proposed in a moonlit garden near the Pyramids of Giza. Janis and her husband live in Texas with an assortment of rescued furbabies. She can be reached through www.JanisSusanMay.com or www.JanisPattersonMysteries.com